Music Production Courses at Full Sail University
Program Name:
Music Production Bachelors - Online
| Advanced Audio Postproduction |
| Course Number |
REC 4315 |
| Credits |
4.0 |
The Advanced Audio Postproduction Course provides students with an advanced view of the process of audio postproduction for multimedia music composers. This course focuses on the creative development of audio postproduction elements, such as sound effect design, music editing, dialogue editing, and the final mixing process. The final mix of a film or television soundtrack requires many different sound layers; this course specifically examines each one of these elements as students engineer a finished product.
Course Outline
Sound Effect Design and Editing Sound Effect Design for Film and Television
Music Editing for Film and Television Mixing and Processing: Troubleshooting |
| Advanced Music Composition Programming |
| Course Number |
MPR 3301 |
| Credits |
3.0 |
The Advanced Music Composition Programming Course continues to develop the compositional voice of each student. Students work together to create professional documentation and utilize their recording skills to support a musical project. The project exemplifies real-world collaboration while composing, tracking, and mixing to produce a professional musical composition. Course Outline
Collaboration Tools Preproduction and Session Planning
Marketing Your Talent and Musical Services
Tracking and Mixing Basics
Teamwork and Project Team Management |
| Advanced Music Theory |
| Course Number |
MUT 3413 |
| Credits |
4.0 |
Students in the Advanced Music Theory Course identify, appraise, and cultivate a comprehensive knowledge of music theory. These elements include counterpoint, modulations, secondary dominants, extended harmony, extended form, and borrowed chords. Students also explore the instrumentation and orchestration practices that define style genres. |
| Audio File Management and Documentation |
| Course Number |
REC 1801 |
| Credits |
2.0 |
The Audio File Management and Documentation Course provides students with a comprehensive understanding of many different audio file formats and the proper management and documentation of these files. Additional topics addressed in this course include professional management standards for audio files and file documentation standards for various audio production applications. This course helps to develop students’ professional demeanor through careful examination of industry standards, workflow, protocol, etiquette, and vocabulary. |
| Audio Postproduction |
| Course Number |
REC 2803 |
| Credits |
4.0 |
The Audio Postproduction Course provides students with an overview of production sound and audio postproduction sound design for film and television. Subjects include the history of the audio postproduction process, the recording of production sound, timecode and synchronization, the film audio postproduction process, and the television audio postproduction process. |
| Audio Workstations |
| Course Number |
REC 2413 |
| Credits |
4.0 |
The Audio Workstations Course explores the digital audio workstation environment through an overview of digital audio concepts and practices. Students receive instruction and practical experience with powerful computer-
based recording systems typically found in the modern audio and professional music composition environment. |
| Digital Audio and Theory |
| Course Number |
REC 1751 |
| Credits |
3.0 |
It is vital that today’s media production composer has a solid understanding of digital audio and the theories associated with this technology. The Digital Audio and Theory Course examines digital audio in various audio applications, preparing students for working in the digital audio realm. |
| Digital Recording Principles |
| Course Number |
MPR 1851 |
| Credits |
3.0 |
Advancements in computer hardware and software have led to a revolution in music production. High-quality results can now be achieved economically without the necessity for large-format facilities. In the Digital Recording Principles Course, students receive training on how to get professional-sounding results from their laptop-based project studio environment. |
| Game Music Composition |
| Course Number |
MPR 3451 |
| Credits |
4.0 |
Creating music for game audio requires a radical shift in production strategy because of the conditional-access design of games. In the Game Music Composition Course, students study game music and design, analyze design approaches, synthesize and use a toolbox of production strategies through group collaboration led by the educator. Students’ music skills continue to develop through the construction and production of a course project. |
| Interactive Audio |
| Course Number |
REC 2623 |
| Credits |
3.0 |
The Interactive Audio Course introduces students to the importance of high-
quality audio for all applications of interactive media. Students delve into specific examples of audio components and explore how the elements apply to the final product. The course provides a survey of audio, computer, and synthesis fundamentals as applied to streaming audio, video games, and other interactive content. |
| MIDI |
| Course Number |
REC 1731 |
| Credits |
4.0 |
Musical Instrument Digital Interface (midi) Is The Electronic Marriage Of Music And Computer Technology That Revolutionized Music Composition, Recording, And Arrangement. Students Are Introduced To The History Of The Midi Concept, Its Principles And Theory, And Midi Production Techniques As Well As Midi Control, Synchronization, Troubleshooting, And The Design Of Midi Systems. Students Also Survey The Effect Of Midi On The Modern Recording Studio Environment And Examine Live Audio Midi Applications. Finally, Students Learn How To Interface Computers With Musical Instruments For Recording And Live Performance Applications. |
| Music Composition Programming |
| Course Number |
MPR 1301 |
| Credits |
3.0 |
The Music Composition Programming Course instructs students on the process of capturing and developing new musical ideas. By utilizing skills learned in the prerequisite Music Theory and Musical Listening and Identification Courses, students transcribe their melodies and bass lines into musical notation with music composition software and learn to develop their ideas using various compositional methods. Loop-based sequencing with professional audio software programs are utilized to provide each student with a powerful set of music content creation tools. |
| Music Genres |
| Course Number |
MPR 3113 |
| Credits |
4.0 |
Musical genres are often associated with distinct lifestyles and attitudes. These associations can be used to tell the story of a character or product with genre-based music. For that reason, composers who can produce music in many styles have more to offer their clients. Students build this competency in the Musical Genres Course by arranging and producing songs that make use of specific genre attributes. |
| Music History I |
| Course Number |
MUH 2052 |
| Credits |
2.0 |
The American music industry has generated hits and new style combinations through every decade. The Music History I Course surveys this rich evolution from its roots through modern times, examining each musical style’s respective sociological and technological precedents. |
| Music History II |
| Course Number |
MUH 3052 |
| Credits |
2.0 |
The Music History II Course explores the popular music revolution of 1965–1970 as well as “big business” music and promotion convergence. In this course, students explore specific case studies involving artists and their impact on the industry. |
| Music Production Final Project |
| Course Number |
MPR 4853 |
| Credits |
4.0 |
The Music Production Final Project Course provides opportunities for Music Production students to contribute artistry, technical ability, and social skills to meet the needs of a student project. The course provides an opportunity to conceptualize a complete, collaborated preproduction work schedule with a final project student group. Each step of the process is supervised and approved by the Music Production Final Project staff. |
| Music Theory |
| Course Number |
MUT 1023 |
| Credits |
2.0 |
The Music Theory Course encompasses a thorough study of the workings of music and sound. Students explore music theory, song form, and notation as well as develop ear-training skills. The focus of the course lies in understanding the construction of music and gaining the ability to communicate effectively with musicians, composers, directors, programmers, and producers in the professional audio production environment. |
| Musical Arrangement |
| Course Number |
MPR 3311 |
| Credits |
4.0 |
The Musical Arrangement Course addresses musical concepts of melody, rhythm, harmony, and the arrangement of a rhythm section, solo instruments, and voice. Learning focuses on grasping the conceptual process of combining individual components to complete a musically sound arrangement. Students are led through an exploration of the use and integration of MIDI technology and sequencing as it relates to rhythm section and lead-line writing. Various contemporary music styles and the music concepts comprising them are examined. Additional course topics address music production from a compositional perspective, demonstrating how knowledge of compositional elements such as melody, harmony, arranging, and orchestration help provide the foundation and focus of contemporary styles and techniques. |
| Musical Listening and Identification |
| Course Number |
MUT 1212 |
| Credits |
4.0 |
The most vital instruments in the music producer’s possession are his or her ears. The Musical Listening and Identification Course introduces the lifelong practice of developing musical and aural discernment. Music recognition begins with identifying musical intervals and progresses to the transcription of simple melodies, chords, and bass lines. Students learn rhythmic identification beginning with simple meter beat counting and progressing to distinguish simple grooves and basic phrasing. Basic song form ingredients are explored and differentiated. |
| Professional Workfl ow |
| Course Number |
MPR 4411 |
| Credits |
4.0 |
Topics addressed in the Professional Workflow Course include file labeling, submission, and delivery methods required for collaboration between remote locations. This course helps to develop students’ professional understanding of industry standards, workflow, protocol, and etiquette. Students use these collaborative skills while contributing to the final project. |
| Songwriting and Development |
| Course Number |
REC 3011 |
| Credits |
2.0 |
In the Songwriting and Development Course, basic songwriting techniques are addressed as students work to develop a strong sense of form, melody, harmony, bass line development, and rhythm. An introduction to lyric considerations for various musical genres is explored, and all of these course topics are connected and related to the standpoint of the music composer. Additional topics include modulation and modality, transitional bridge and primary bridge, rhythm, rhyme and form, effective arrangements for vocals, and supporting the style and structure of a song with appropriate instruments. The overarching goals of this course are to convey the significance of songwriting in the production process and to assist the learner in making appropriate technical decisions based on the song and the artist. |
| Music Business Marketing |
| Course Number |
MUM 3733 |
| Credits |
4.0 |
The Music Business Marketing Course explores general marketing concepts as they relate to the nuances of the music business. Students construct strategic plans in the selection and development of media products and are introduced to entertainment licensing concepts and promotional avenues such as trade shows, trade publications, and the Internet. In addition, this course strengthens students’ understanding of analytical tools and strategic analysis of the music business, providing them with knowledge that can facilitate the success of their creative work. Consumer behavior and its effect on the success of entertainment products are also examined. |
| Music Copyright and Publishing |
| Course Number |
MUM 3308 |
| Credits |
4.0 |
The Music Copyright and Publishing Course teaches students how to protect their creative works and provides an overview of the business mechanisms that can affect the use of their songs and those of their clients. Along with the global topics of copyright and music publishing, the course also covers the history of the music publishing industry, royalties, songwriter’s contracts, publishing options, and an overview of publishing companies. |
| Project Management and Assessment I |
| Course Number |
PMA 101 |
| Credits |
1.0 |
The Project Management and Assessment Courses are concurrent courses
taken alongside core curriculum in order to assist students with the development,
management, and assessment of program projects. The courses provide an
opportunity for students to apply analysis skills, create strategic plans, and foster
professional workflow practices. |
| Project Management and Assessment II |
| Course Number |
PMA 102 |
| Credits |
1.0 |
The Project Management and Assessment Courses are concurrent courses
taken alongside core curriculum in order to assist students with the development,
management, and assessment of program projects. The courses provide an
opportunity for students to apply analysis skills, create strategic plans, and foster
professional workflow practices. |
| Project Management and Assessment III |
| Course Number |
PMA 203 |
| Credits |
1.0 |
The Project Management and Assessment Courses are concurrent courses
taken alongside core curriculum in order to assist students with the development,
management, and assessment of program projects. The courses provide an
opportunity for students to apply analysis skills, create strategic plans, and foster
professional workflow practices. |
| Behavioral Science |
| Course Number |
CLP 1006 |
| Credits |
4.0 |
| More Info |
http://www.fullsail.edu/degrees/entertainment-business-bachelors/courses/behavioral-science-CLP%201006 |
The Behavioral Science Course introduces students to the psychology of self-evaluation, self-motivation, self-awareness, and self-focus. This course provides an overview on current and historical theory as it pertains to the above-mentioned areas. Students are also introduced to techniques of time management, organization, active listening, and creating effective presentations. |
| College Mathematics |
| Course Number |
MGF 1213 |
| Credits |
4.0 |
| More Info |
http://www.fullsail.edu/degrees/entertainment-business-bachelors/courses/college-mathematics-MGF%201213 |
The College Mathematics Course is designed to enable students to build skills and confidence in algebra and applied mathematics that are required to succeed in future math and core courses. First-time algebra students or those needing a review will begin with basic concepts and build upon these ideas by completing work that uses mathematics in practical situations. |
| Computer Science and Internet |
| Course Number |
CGS 1000 |
| Credits |
4.0 |
| More Info |
http://www.fullsail.edu/degrees/entertainment-business-bachelors/courses/computer-science-and-internet-CGS%201000 |
The Computer Science and Internet course introduces students to the basics of computer operating systems and software, web 2.0 tools, and multimedia applications as they relate to everyday experiences of the computer user. Students will initiate online collaboration as well as utilize the tools to successfully navigate common issues associated with online collaboration. Additionally, students will evaluate and demonstrate knowledge of specific software applications and technologies used in today’s society. |
| English Composition I |
| Course Number |
ENC 1101 |
| Credits |
4.0 |
The English Composition I Course is designed to introduce students to
the writing process. Special at tention is given to selecting and refining topics,
identifying the audience, developing a purpose, and formulating thesis statements.
Grammatical conventions and their applications are heavily stressed. Students
will learn to compose mature, logical sentences, and paragraphs in order to create
rhetorical cohesion. |
| Interpersonal Communication |
| Course Number |
SPC 2140 |
| Credits |
4.0 |
The Interpersonal Communications Course examines the nature of the communication process, variables affecting the process, and the individuals involved. Additionally, this course includes individual analysis of behavior processes that may impede and/or enhance communication processes. Topics include perception, nonverbal behavior, persuasive communication, identity management, intercultural communication and computer mediated communication. This course also enhances students’ ability to analyze and evaluate information. |
| Professional Communication and Presentation |
| Course Number |
COM 3109 |
| Credits |
4.0 |
| More Info |
http://www.fullsail.edu/degrees/entertainment-business-bachelors/courses/professional-communication-and-presentation-COM%203109 |
The Professional Communication and Presentation Course exposes students to various forms of written and oral communication through technical, electronic, and creative-writing activities. In addition, students develop competency in visual presentation design. Through practice and development of written and oral skills, students sharpen their abilities to craft effective documents and presentations, while gaining confidence in both the content of their message and their ability to clearly convey it. |
| Professional Writing |
| Course Number |
ENC 326 |
| Credits |
4.0 |
| More Info |
http://www.fullsail.edu/degrees/entertainment-business-bachelors/courses/professional-writing-ENC%20326 |
The Professional Writing Course is designed to further develop the rational/logical functions of the brain while cultivating intellectual prowess to master multiple genres of writing. Students identify and practice different writing styles while exploring the purposes of writing vital to their success as professionals. |
Program description: Musicians have long played an
important role within multiple facets of
the entertainment industry, enriching
television, fi lm, radio, video games, live
events, and more. The demand for creative,
technologically savvy composers is greater
than ever, and thanks to advances in home
recording, the soundtrack to our lives can be
created virtually anywhere in the world.